Picture has recently completed the framing of some of Glynn Boyd Harte’s watercolours, coloured pencil drawings and lithographs for an exhibition at The Art Workers’ Guild, 6 Queen Square, WC1N 3AT, London.
The exhibition runs from Monday 26th September to Saturday 8th October 2022 (excluding Sunday 2nd October) and includes some previously unseen work from his French studio. You can download the flyer here.

Copies of a new book on Glynn’s life and work will be available for purchase throughout the exhibition.
The book, edited by Ian Beck, will be published on Monday 26th September.
There will be book signings by Ian Archie Beck, the author and managing editor, on Saturday 1st October 11 – 2 and on Saturday 8th October 2 – 4.30.
If you can’t make it to the exhibition then you can purchase the book here.


Here’s some images of the completed frames which all benefit from UV protecting conservation clear glazing, click to enlarge:

Ravilious Boat Race Bowl. 1980
Framed in a thin angled oak profile with a clear wax finish and UV protecting glass.


Carnations. Lithograph, signed by the artist. An artist’s proof.
Framed in a green prefinished Ashworth and Thompson profile with UV glass.


Glaciar. Watercolour.
Framed in a skinny oak profile painted deep purple.


Green’s Sponge Mixture. Coloured pencil. c.1973. From the artist’s French studio.
Framed in a skinny oak profile painted burnt orange with UV protecting glass.


A Handbag. Coloured pencils, c.1972. From the artist’s French studio.
Framed in a skinny oak profile painted deep purple with UV protecting glass.


Ian Archie Beck. Coloured pencils, c.1975. From the artist’s French Studio.
Framed in a black prefinished Ashworth & Thompson profile with UV glass.


Italian Villa . Watercolour. 1982.
Framed in a green prefinished Ashworth and Thompson profile with UV glass.


Life Drawing with Quentin Crisp. Coloured pencils, c.1973. From the artist’s French Studio.
Framed in a prefinished brown Ashworth & Thompson profile with UV protecting glass.


Piano
Framed in a prefinished brown Ashworth & Thompson profile with UV protecting glass.


Pink Plates & Plastic Flowers, Cloudesley Square. Coloured pencils, 1976. From the artist’s French studio.
Framed in a prefinished brown Ashworth & Thompson profile with UV protecting glass.


Zoe Allday. Coloured pencil. c.1975
Framed in a prefinished black Ashworth & Thompson profile with UV protecting glass.


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